Luca Giordano

Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.


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Luca Giordano Repe of Deianira oil


Repe of Deianira
Painting ID::  30008
Repe of Deianira
mk67 Oil on canvas 20 1/16x26in Uffizi,
mk67 Oil_on_canvas 20_1/16x26in Uffizi,
   
   
     

Luca Giordano The Fall of the Rebel Angels oil


The Fall of the Rebel Angels
Painting ID::  33588
The Fall of the Rebel Angels
mk86 1666 Oil on canvas 419x283cm Vienna,Kunsthistorisches Museum
   
   
     

Luca Giordano The Archangel Michael driving the rebellious angels into Hell oil


The Archangel Michael driving the rebellious angels into Hell
Painting ID::  39625
The Archangel Michael driving the rebellious angels into Hell
mk150 c.1665 Canvas 419x283cm
mk150 c.1665 Canvas 419x283cm
   
   
     

Luca Giordano Holy Ana and the nina Maria Second mitade of the 17th century oil


Holy Ana and the nina Maria Second mitade of the 17th century
Painting ID::  42021
Holy Ana and the nina Maria Second mitade of the 17th century
mk166 Painting al I wave The Church dell-Ascensione to Chiaia Napoles
   
   
     

Luca Giordano Holy Ana and the nina Maria Second mitade of the 17th century oil


Holy Ana and the nina Maria Second mitade of the 17th century
Painting ID::  42022
Holy Ana and the nina Maria Second mitade of the 17th century
mk166 Painting al I wave The Church dell-Ascensione to Chiaia Napoles
   
   
     

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     Luca Giordano
     Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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